Review after the premiere opera «LABRYS» in Neue (musikalische) Blätter by Wolfram Quellmalz.
Review after the premiere opera «LABRYS» in Neue (musikalische) Blätter by Wolfram Quellmalz. Labyrinth in Farben und Klängen
Review after the premiere opera «LABRYS» in Neue (musikalische) Blätter by Wolfram Quellmalz. Labyrinth in Farben und Klängen
In his activity as Artistic Director of Continuum XXI, Alberto Arroyo has commisioned and conducted over 20 pieces. Some of the most relevant composers include Peter Ablinger, José M. Sánchez-Verdú, Raphaël Cendo and many young comopsers. Concert halls and festivals such as Hellerau-Europäisches Zentrum der Künste, Guggenheim Museum, Teatros del […]
Review after the premiere opera «ONIROS» in Neue (musikalische) Blätter by Wolfram Quellmalz. Wer ist – was ist?
Joan Gómez Alemany writes a review of Arroyo’s opera «ONIROS». https://sulponticello.com/iii-epoca/oniros-o-el-teatro-musical-de-los-suenos-de-alberto-arroyo/
Alberto Arroyo has developed different Artistic Research projects with worldwide musicians. Some of these artists include Sarah Maria Sun (sopran), Andrés Gomis/SIGMA Project (saxophone), Sisco Aparici/Synergein Project (percussion), AuditivVokal Dresden (vocal ensemble), Iñaki Alberti (accodeon), Richard Röbel (harpsichord), Trío Arbós (National Music Award), etc.
A reviwew of Alberto Arroyo’s work «Estado interior: Meta-Instrument Etude nr. 1» has been published in one of the most original books of the recent years written by the authors and critics Paco Yáñez & Joan Gómez Alemany. «Cartografías de la Música Contemporánea. Ensayo, Crítica e Interdisciplinariedad en los s. […]
(…) three participants who passed the qualifying round were admitted to the final of the competition: Alberto Arroyo (Spain), Joshua Hey (USA) and Shin Mizutani (Japan).
Winner of the composition commision «Glaube-Kire-Hoffnung» together with Friederike Bernhardt, Max-Lukas Hundelshausen and Shadi Kassaee
Radio Broadcast in Spanish National Radio (RNE) with Alberto Arroyo about Continuum XXI and topics about Early and Contemporary Music. Temas de música viva: antigua vs contemporánea
Article about the interdisciplinary project Continuum XXI: Traces (Spanish)
Premiere for vocal ensemble during the pandemic: «Ruf in die Stille» ist a contemporary vocal composition in dialog with Heinrich Schütz «Verleih uns Frieden».
Interdisciplinar Project with visual artist Joan Gómez Alemany and ensemble Continuum XXI