Finalist of the 4th Sergei Slonimsky Composition Competition
(…) three participants who passed the qualifying round were admitted to the final of the competition: Alberto Arroyo (Spain), Joshua Hey (USA) and Shin Mizutani (Japan).
Winner of the Composition Call for Scores “Glaube – Krise – Hoffnung” (Voktett Hannover)
Winner of the composition commision “Glaube-Kire-Hoffnung” together with Friederike Bernhardt, Max-Lukas Hundelshausen and Shadi Kassaee
Continuum XXI: TRACES (Article)
Article about the interdisciplinary project Continuum XXI: Traces (Spanish)
Ruf in die Stille (AuditivVokal Dresden)
Premiere for vocal ensemble during the pandemic: “Ruf in die Stille” ist a contemporary vocal composition in dialog with Heinrich Schütz “Verleih uns Frieden”.
Continuum XXI: TRACES (Video)
Interdisciplinar Project with visual artist Joan Gómez Alemany and ensemble Continuum XXI
Early Music vs. Contemporary Music
Radio Broadcast in Spanish National Radio (RNE) with Alberto Arroyo about Continuum XXI and topics about Early and Contemporary Music. Temas de música viva: antigua vs contemporánea
The ‘meta-instrument’ as compositional technique – KEAMSAC & Emille
Selected paper for KEAMSAC & Emille 2018: The ‘meta-instrument’ as compositional technique: Strategies of the current musical creation.
Klänge hinter Mauern (Radio Podcast)
From 23:10. Premiere of “Poesie des Vergessens” (Poetry of Oblivion). Gedenkstätte Lindenstrasse and Kammerakademie Potsdam. Radio broadcast rbb Kultur (German).
Winner “Beyond Bounderies” (Thailand New Music and Arts Symposium 2019)
Winner of the international Call for Scores “Thailand New Music and Arts Symposium 2019” with the piece “Desde el vértice” for violin and violoncello.
Continuum XXI
Continuum XXI (Historical Instrument Ensemble for Early & Contemporary Music) releases its new website!